We invite you to browse through the following publications by Global and Comparative Literature faculty.

Nicoletta Pireddu. “Discovering Man through the Symbolic.” The European Legacy 20.3 (2015): forthcoming.
Nicoletta Pireddu. The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders. : Palgrave, 2015.
Nicoletta Pireddu. “European Ulyssiads: Claudio Magris, Milan Kundera, Eric-Emmanuel Schmitt.” Comparative Literature (2015).
Nicoletta Pireddu, ed. Scipio Sighele, _The Criminal Crowd and Other Writings_. Toronto: University of Toronto Press (forthcoming), 2015.
Nicoletta Pireddu. “Tsoukalis, Loukas and Janis A. Emmanouilidis (eds),_The Delphic Oracle on Europe. Is there a Future for the European Union?_ (Oxford and New York: Oxford UP, 2011).” The European Legacy: Toward New Paradigms 19.3 (2014): 1-2.
Nicoletta Pireddu. “Between Darwin and San Francesco: Zoographic Ambivalences in Paolo Mantegazza, Ouida, and Vernon Lee’.” Gothic Studies 16.1 (2014): 111-127.
Nicoletta Pireddu. “Viaggi nell’alterità, musei della mente: Paolo Mantegazza tra reperti e ricordi.” Paolo Mantegazza, Dalle Americhe al Mediterraneo. Ed. Giampaolo Atzei, Alessandra G. Orlandini Carcreff, Tania Manca. Monaco: Liber Faber, 2014: 123-35
Nicoletta Pireddu. “Reflections from the Borders of Poetry.” Italica (2014): forthcoming.
Emily C. Francomano. “Rosanna Cantavella, ed. Alfons el Vell duc de Gandia, marqués de Villena i comte de Ribagorça. Lletra a sa filla Joana, de càstig e de bons nodriments.” Speculum 89.1 (2014).
Emily C. Francomano. “Taking the Gold out of Egypt’: Money, Prostitution, and the Economy of Salvation in the Vida de María Egipciaca.” Hispanic Review (2014).
Nicoletta Pireddu. “Victor Brombert, _Musings on Mortality_ (Chicago: Chicago UP, 2013).” Comparative Literature Studies (2014): (forthcoming).
Ricardo L. Ortiz. “’Queer’ en Latin@.” GLQ: A Journal of Gay and Lesbian Studies 20.1-2 (2014): 167-180.
Nicoletta Pireddu. “_The Thinking Space. The Café as a Cultural Institution in Paris, Italy and Vienna_. Ed. by Leona Ritter, W.Scott Haine and Jeffrey H. Jackson (Ashgate, 2013).” _Annali d’italianistica_ (2014).
Andrew Sobanet. “Henri Barbusse: Official Biographer of Joseph Stalin.” French Cultural Studies (2013).
Andrew Sobanet. “Elle s’appelait Sarah and the Limits of Postwar Witnessing and Memory.” Journal of War and Culture Studies 6.2 (2013): 127-140.
Nicoletta Pireddu. “Anthropology on Screen: Luigi Pirandello, Virginia Woolf.” PSA: The Official Publication of the Pirandello Society of America, special issue _Pirandello & Co: Literature, Film, Theater and The Arts_ XXVI (2013): 13-31.
Adam Lifshey. “Rizo, Elisa, ed. Caminos y veredas: narrativas de Guinea Ecuatorial.” TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World 2.2 (2013).
Colla. “The Porter and Portability: Figure and Narrative in the Nights.” Scheherazade’s Children: Global Encounters with the Arabian Nights. Ed. Philip Kennedy and Marina Warner. New York: New York University Press, 2013: 89-107
Emily C. Francomano. “’Este manjar es dulçe’: Sweet Synaesthesia in the Libro de buen amor.” eHumanista 25 (2013): 127-44.
Raba’i al-Madhoun, trans. Elliott Colla. The Lady from Tel Aviv. London: Telegram Books, 2013.
Colla. “In Praise of Insult.” Review of Middle East Studies 47.1 (2013): 37-48.
Nicoletta Pireddu. “’Foreignizing the imagi-nation: Giovanni Ruffini’s contrapuntal Risorgimento’.” Quaderni d’italianistica 34.1 (2013): 93-114.
Adam Lifshey. “An Introduction to Forum Kritika: Philippine Literature in Spanish.” Kritika Kultura 20 (2013).
Susanna Lee, ed. Norton Critical Edition of Marcel Proust’s Swann’s Way. New York: W.W. Norton, 2013.
Susanna Lee. ““Hasard, providence, et le monde laic,”.” in Le Rouge et le Noir de Stendhal: Lectures critiques, . Ed. Martine Reid. Paris: Garnier, 2013: 79-99
Emily C. Francomano. Three Spanish Querelle Texts: Grisel and Mirabella, The Slander, and The Defense of Women Against Slanderers; A Bilingual Edition and Study. Toronto, Canada: Victoria University in the University of Toronto, Centre for Reformation and Renaissance Studies, 2013.
Emily C. Francomano. “El cuarto de atrás and the Intellectual Work of Student Writing.” Approaches to Teaching the Works of Carmen Martín Gaite. Ed. Joan L. Brown. New York: Modern Language Association, 2013.
Nicoletta Pireddu. “On the Threshold, Always Homeward Bound: Claudio Magris’s European Journey.” Journal of European Studies 42.4 (2012): 333-41.
Adam Lifshey. “América Is in the Archipelago: Mariano De la Rosa’s Fíame and the Filipino (American) Novel in Spanish of World War II.” Kritika Kultura 18 (2012).
Nicoletta Pireddu. “Scruffy Shreds of Platinum: Carlo Emilio Gadda and Other Messy Chemists.” The Edinburgh Journal of Gadda Studies (2012).
Susanna Lee. “Madame Bovary and the Möbius Strip: Mapping a ’monde à part’ .” Nineteenth-Century French Studies 40.1-2 (2012): 96-212.
Susanna Lee. ““American Animus: Dissent and Disapproval in Bowers v. Hardwick, Romer v. Evans, and Lawrence v. Texas”.” enting Voices in American Society. Ed. Austin Sarat. Cambridge: Cambridge University Press, 2012: 56-92
Susanna Lee. “Revisiting the Parent-Child Analogy: Implications for Law and Judgment.” Law, Culture, and the Humanities 8.2 (2012): 195-206.
Ricardo L. Ortiz. “Cuban American Literature.” The Routledge Companion to US Latino Literature. Ed. Frances Aparicio and Suzanne Bost. London: Routledge, 2012: 413-422
Colla. “The People Want.” Middle East Report (2012).
Adam Lifshey. The Magellan Fallacy: Globalization and the Emergence of Asian and African Literature in Spanish. Ann Arbor, MI: University of Michigan, 2012.
Emily C. Francomano. “Reversing the Tapestry: Prison of Love in Text, Image, and Textile.” Renaissance Quarterly 64.4 (2011): 1059-1105.
Adam Lifshey. “Allegory and Archipelago: Jesus Balmori’s Los pájaros de fuego and the Global Vantages of Filipino Literature in Spanish.” Kritika Kultura 17 (2011).
Emily C. Francomano. ““Puse un sobreescripto” [I wrote a new cover]: Manuscript, Print, and the Material Epistolarity of Cárcel de amor.” Fifteenth-Century Studies 36 (2011): 25-48.
Emily C. Francomano. “Castilian Vernacular Bibles in Iberia, c. 1250–1500.” The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity. Ed. Susan Boynton and Diane J. Reilly. New York: Columbia University Press, 2011: 315-337
Nicoletta Pireddu. “Robert Ziegler, _Asymptote. An Approach to Decadent Fiction_(Amsterdam-New York: Rodopi, 2009).” Nineteenth-Century French Studies 39.3-4 (2011): 338-39.
Emily C. Francomano. “Biological and Spiritual Mothering in Berceo’s Poema de Santa Oria.” The Inner Life of Women in Medieval Romance Literature: Grief, Guilt and Hypocrisy . Ed. Jeff Rider. New York: Palgrave Macmilan, 2011.
Emily C. Francomano. “The Poetics of Masculinity in Early Modern Italy and Spain. Edited by Gerry Milligan and Jane Tylus.” Journal of Early Modern Cultural Studies 11.1 (2011): 115-18.
Adam Lifshey. As Green as Paradise. Washington, DC: New Academia Publishing/Scarith, 2011.
Adam Lifshey. “An Américain in Africa: The Transatlantic Creations of Paul Belloni du Chaillu.” Journal of Transnational American Studies 3.1 (2011):
Ricardo L. Ortiz. “Never Too Much: Queer Performance Between Impossibility and Excess.” Gay Latino Studies: a Critical Reader. Ed. Michael Hames-García and Ernesto Martínez. Durham, NC: Duke UP, 2011: 327-333
Nicoletta Pireddu. “Dana Renga ed. Mafia Movies: A Reader (Toronto: U of Toronto P, 2010).” Quaderni d’italianistica 32.2 (2011): 245-47.
Emilt C. Francomano. “Michael Solomon. Fictions of Well-Being Sickly Readers and Vernacular Medical Writing in Late Medieval and Early Modern Spain.” Sixteenth Century Journal (2011).
Andrew Sobanet. “From the Page to the Screen: Michel Mitrani’s Les Guichets du Louvre.” South Central Review 28.2 (2011): 80-100.
Nicoletta Pireddu. “La rivista ’Botteghe Oscure’ e Marguerite Caetani. La corrispondenza con gli autori stranieri, 1948-1960, dir. J. Risset. I. Sez. francese a cura di L.Simone e P.Tamassia (Roma: Fondaz. Caetani, 2007).” Rivista di letterature moderne e comparate LXIII.1 (2010): 98-102.
Nicoletta Pireddu. “Paolo Mantegazza, Fabulator of the Future.” Paolo Mantegazza, _The Year 3000. A Dream_. Ed. Nicoletta Pireddu. Lincoln: University of Nebraska Press, 2010: 1-53
Nicoletta Pireddu. “Memorie del futuro. Archeologie letterarie d’Europa.” Balleriniana. Ed. Giuseppe Cavatorta and Elena Coda. Ravenna: Danilo Montanari Editore, 2010: 212-36
Adam Lifshey. Specters of Conquest: Indigenous Absence in Transatlantic Literatures. New York: Fordham University Press, 2010.
Nicoletta Pireddu. “Paolo Bartoloni, On the Cultures of Exile, Translation, and Writing (West Lafayette, IN: Purdue UP, 2008).” Annali d’italianistica 28 (2010): 451-53.
Nicoletta Pireddu. “’De pizza habe desappeared!’: Italy, Europe, Europanto.” The Italian of Others. Italian Cultural Institute, Washington DC:, 2010.
Emily C. Francomano. “Juan de Flores Delivers a Bull: Papal Politics in Triunfo de amor.” “De ninguna cosa es alegre posesión sin compañía”. Estudios celestinescos y medievales en honor del profesor Joseph Thomas Snow. Ed. Devid Paolini. New York: Hispanic Seminary of Medieval Studies, 2010.
Nicoletta Pireddu. “Literature for Europe? Theo D’haen and Iannis Goerlandt eds. (Amsterdam – New York NY, 2009).” Recherche Littéraire/Literary Research 26 (2010): 86-90.
Nicoletta Pireddu. “Giorgio Mobili, Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi (New York, Washington, D.C./ Baltimore, Bern, Frankfurt am Main, Berlin, Brussels, Vienna, Oxford: Peter Lang, 2008.” Rivista di letterature moderne e comparate LXIII.4 (2010): 453-56.
Nicoletta Pireddu, ed. Paolo Mantegazza, The Year 3000. A Dream. Lincoln: University of Nebraska Press, 2010.
Ricardo Ortiz. “Writing the Haitian Diaspora: the Trans-National Contexts of Edwidge Danticat’s The Dew Breaker.” Imagined Transnationalism: US Latino/a Literature, Culture and Identity. Ed. Kevin Concannon, Francisco A. Lomelí and Marc Priewe. New York, NY: Palgrave, 2010: 237-256.
Susanna Lee. ““In the Prison of the Mind: Punishment, Social Order, and Self-Regulation”.” Law as Punishment/Law as Regulation. Ed. Austin Sarat. Palo Alto: Stanford University Press, 2010: 124-155
Susanna Lee. “Scruple and State Sovereignty: Fred Vargas’s romantic étatisme.” Contemporary French Civilization 34.1 (2010): 73-96.
Nicoletta Pireddu. “Between the Local and the Global: Comparative Literature in the Land of Dante.” Recherche Littéraire/Literary Research 25.Summe (2009): 26-33.
Nicoletta Pireddu. “A Moroccan Tale of An Outlandish Europe: Ben Jelloun’s Departures For A Double Exile.” Research in African Literatures 40.3 (2009): 16-36.
Adam Lifshey. “The Borderlands Poetics of Bruce Springsteen.” Journal of the Society for American Music 3.2 (2009): 221-241.
Ricardo Ortiz. “Thomas Glave’s ’Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles’.” Lambda Book Report 16.4 (2009): 11.
Nicoletta Pireddu. “Federica Pedriali, La farmacia degli incurabili. Da Collodi a Calvino (Longo, 2006).” Modern Language Notes 124.1 (2009): 322-324.
Emily C. Francomano. “Paternal Advice from Medieval Castile.” Medieval Conduct: An Anthology of Vernacular Texts. Ed. Mark Johnson. Toronto: Medieval Academy of America / University of Toronto Press, 2009.
Emily C. Francomano. “Carina Zubillaga, ed. Antología castellana de relatos medievales; and Moore, John K. Jr., ed. Libro de los huéspedes: A Critical Edition.” La corónica 27.2 (2009): 223-226.
Susanna Lee. ““Law and Television: Screen Phenomena and Captive Audiences”.” Law and the Humanities: An Introduction. Ed. Matthew Anderson, Cathrine Frank, Austin Sarat. Cambridge: Cambridge University Press, 2009: 269-292
Susanna Lee. ““May 68, Radical Politics and French Crime Fiction”.” Crime Fiction in French: An Introduction. Ed. Claire Gorrara. Wales: University of Wales Press, 2009: 71-85
Nicoletta Pireddu. “Literature? C’est un monde. The Foreign Language Curriculum in the Wake of the MLA Report.” Profession 2008 (2008): 219-228.
Emily C. Francomano. “Boro, Joyce, ed. The Castell of Love: A Critical Edition of Lord Berners’s Romance with Introduction, Notes and Glossary. Tempe: Arizona Center for Medieval and Renaissance Studies, 2007.” The Medieval Review (2008).
Adam Lifshey. The Literary Alterities of Philippine Nationalism in José Rizal’s El filibusterismo.” PMLA 123.5 (2008): 1434-1447.
Adam Lifshey. Indeterminacy and the Subversive in Representations of the Trujillato.” Hispanic Review 76.4 (2008): 435-457.
Nicoletta Pireddu. “Suzanne Stewart-Steinberg, The Pinocchio Effect. On Making Italians, 1860-1920 (U of Chicago P., 2007).” Forum Italicum Fall.2 (2008): 453-55.
Emily C. Francomano. “Hugo O. Bizzarri. Los castigos de Sancho IV: una reinterpretación. London: Queen Mary and Westfield College, Papers of the Medieval Spanish Research Seminar, 2004.” Speculum 83.3 (2008): 663-64.
Ricardo L. Ortíz. ““Edwidge Danticat’s Latinidad: The Farming of Bones and the Cultivation of (Fields of) Knowledge”.” Aftermaths: Exile, Migration, and Diaspora Reconsidered. Ed. Marcus Bullock and Peter Paik. New Brunswick, NJ: Rutgers UP, 2008: 150-174
Ibrahim al-Koni, Elliott Colla. Gold Dust. Cairo: AUC Press, 2008.
Andrew Sobanet. Jail Sentences: Representing Prison in Twentieth-Century French Fiction. Lincoln: University of Nebraska Press, 2008.
Emily C. Francomano. Wisdom and Her Lovers in Medieval and Early Modern Hispanic Literature. New York: Palgrave Macmillan, 2008.
Ricardo L. Ortíz. “On (Our-) American Ground: Caribbean-Diasporic Cultural Production.” Social Text 94 (2007).
Ricardo L. Ortíz. “Arturo Islas and the Phantom Rectum.” Contemporary Literature 48.3 (2007): 398-422.
Adam Lifshey. “And So the Worm Turns: The Impossibility of Imperial Imitation in Una lanza por el Boabi by Daniel Jones Mathama.” Chasqui 36.1 (2007): 108-120.
Ricardo L. Ortíz. “City of (Queer) Angels: Faderman and Timmons’ ’Gay LA’.” Lambda Book Report 14.4 (2007): 4-7.
Emily C. Francomano. “Guynn, Noah. Allegory and Sexual Ethics in the High Middle Ages.” Medieval Feminist Forum 43.2 (2007).
Nicoletta Pireddu, ed. Paolo Mantegazza, The Physiology of Love and Other Writings. Toronto: University of Toronto Press, 2007.
Nicoletta Pireddu. “Passing for Europe: linguistic transvestism and transnational identities in Diego Marani’s Nuova Grammatica Finlandese.” Vested Voices II. Ed. Rossella Riccobono and Federica Pedriali. Ravenna: Longo , 2007: 31-41
Andrew Sobanet. “A Return to the Soil: René Barjavel’s Pétainist Utopia.” French Forum (2007).
Andrew Sobanet. “Wartime Collaboration and Postwar Judgment in Lacombe Lucien and The Sorrow and the Pity.” Contemporary French Civilization (2007).
Ricardo L. Ortíz. Cultural Erotics in Cuban America. : University of Minnesota Press, 2007.
Emily C. Francomano. “The Legend of the Tributo de las cien doncellas: Women as Warweavers and the Coin of Salvation.” Revista Canadiense de Estudios Hispánicos 32.1 (2007): 9-25.
Andrew Sobanet. “Tocqueville in Louisiana.” Perspectives Créoles. Ed. Jean-Max Guieu and Amadou Koné. New Orleans: Presses Universitaires du Nouveau Monde, 2007: 75-88
Emily C. Francomano. “Queenship And Political Power In Medieval And Early Modern Spain. Ed. Theresa Earenfight. London: Ashgate, 2006.” Medieval Feminist Forum 43.2 (2007).
Emily C. Francomano. “Negotiating Incest and Exogamy in La fiyla del rey d’ungría.” La corónica 35.2 (2007): 83-102.
Emily C. Francomano. “Introduction: The Riddle of Incest in Medieval Iberian Literature.” La corónica 35.2 (2007): 7-14.
Idris Ali. Poor. Cairo: AUC Press, 2007.
Elliott Colla. Conflicted Antiquities: Egyptology, Egyptomania, Egyptian Modernity. Durham: Duke University Press, 2007.
Nicoletta Pireddu. “Susanna Scarparo, Elusive Subjects (Leicester: Troubadour, 2005).” Italica (2007): 649-51.
Nicoletta Pireddu. “Paolo Mantegazza. A Scientist and His Ecstasies.” Paolo Mantegazza, The Physiology of Love and Other Writings. Ed. Nicoletta Pireddu. Toronto: University of Toronto Press, 2007: 3-60
Nicoletta Pireddu. “Oscar Wilde ‘with fetters bound’: l’arte, il crimine, il carcere.” Le loro prigioni. Scritture dal carcere. Ed. Anna Maria Babbi and Tobia Zanon. Verona: Fiorini, 2007: 327-45
Emily C. Francomano. “Julian Weiss. The ‘Mester de clerecía’: Intellectuals and Ideologies in Thirteenth-Century Castile. Woodbridge: Tamesis, 2006. 258 pp..” Revista Canadiense de Estudios Hispánicos 31.3 (2007): 560.
Susanna Lee, ed. Norton Critical Edition of Stendhal’s The Red and the Black. New York: W.W. Norton, 2007.
Nicoletta Pireddu. ” “Primitive marks of modernity: cultural reconfigurations in the Franco-Italian fin de siècle” .” Romanic Review 97.3-4 (2006): 371-400.
Nicoletta Pireddu. ““Scribes of a transnational Europe: travel, translation, borders”.” The Translator 12.2 (2006): 345-69.
Nicoletta Pireddu. “Satan the Waster: peace and the gift.” Dalla stanza accanto. Vernon Lee e Firenze, settant’anni dopo. Florence: University of Florence, British Institute and Regione Toscana, 2006.
Emily C. Francomano. “The Hands of Phillipe de Rémi’s Manekine.” Mediterranean Studies 15 (2006): 1-20.
Susanna Lee. A World Abandoned by God: Narrative and Secularism.. : Bucknell University Press, 2006.
Ricardo L. Ortíz. “Review: El deseo, enorme cicatriz luminosa.” The Americas: A Quarterly Review of Inter-American Cultural History 62.3 (2006): 467-8.
Adam Lifshey. ““No podemos soñar”: A Hispanophone African Literary Displacement of the Spanish-American War of 1898.” Hispanic Journal 27.1 (2006): 119-34.
Susanna Lee. ““The Space Between Us: The Psychology of Houses in American Beauty” .” Considering Alan Ball. Ed. Thomas Fahy. New York: McFarland Press, 2006.
Susanna Lee. “Punk Noir: Anarchy in Two Idioms .” Yale French Studies (2005).
Ricardo L. Ortíz. “Fables of Cuban Exile: Special Periods and Queer Moments in Eduardo Machado’s ’Floating Island Plays’.” Modern Drama48.1 (2005): 132-162.
Andrew Sobanet. “Victor Serge.” Columbia History of 20th-Century French Thought. Ed. Lawrence D. Kritzman. New York: Columbia University Press, 2005.
Andrew Sobanet, Susan Terrio. “Silence in the Court and Testimony Behind Bars: Juvenile Defendants and the French Judicial System.” French Cultural Studies (2005).
Andrew Sobanet. “From Wedding Chapels to German Castles: Politicized Interview Sites in The Sorrow and the Pity.” Contemporary French Civilization (2005).
Nicoletta Pireddu. “C. Lombroso and G. Ferrero, The Criminal Woman, the Prostitute, and the Normal Woman, trans. and intro. by N. Hahn Rafter and Mary Gibson (Duke UP, 2004).” Annali d’italianistica 23 (2005): 330-332.
Ibrahim Aslan, Elliott Colla. The Heron. Cairo: AUC Press, 2005.
Nicoletta Pireddu. “G. Grazzini, Scrittori al cinema (Firenze: Cadmo, 2002).” Rivista di Letterature Moderne e Comparate 57.4 (2004): 514-17.
Adam Lifshey. “Bordering the Subjunctive in Thomas Pynchon’s Mason & Dixon.” Journal x 9.1 (2004): 1-15.
Susanna Lee. “The Jazz Harmonies of Connection and Disconnection in ’Sonny’s Blues’ .” Genre 37.2 (2004): 285-299.
Emily C. Francomano. “The Lady Vanishes: Translation, Gloss, and the Personification of Wisdom in the Alfonsine Biblias romanceadas.” Hispanic Review 72.2 (2004): 307-25.
Emily C. Francomano. “Manuscript Matrix and Meaning in Castilian and Catalan Anthologies of Saints’ Lives and Pious Romances.” Bulletin of Hispanic Studies 81.2 (2004): 139-53.
Nicoletta Pireddu. “Modernism Misunderstood: Anna Banti Translates Virginia Woolf.” Comparative Literature 56.1 (2004): 54-76.
Nicoletta Pireddu. “Poe spoetizzato: l’esotismo tarchettiano.” Fantastico Poe. Ed. Roberto Cagliero. Verona: Ombre Corte, 2004: 157-76
Susanna Lee. “Freud’s Death Instinct in Vercors’ Le Silence de la Mer.” Romance Quarterly 51.1 (2004): 40-46.
Susanna Lee. “These are our Stories: Trauma, Form, and the Screen Phenomenon of Law and Order.” Discourse 25.1-2 (2004): 81-97.
Nicoletta Pireddu. “Comparing Anew.” CLCWeb: Comparative Literature and Culture: A WWWeb Journal 5.1 (2003).
Nicoletta Pireddu. “L’arte del tragico. L’avventura scenica del Martyre de Saint Sébastien di Gabriele D’Annunzio dal 1911 ad oggi. Ed. by Carlo Santoli. Napoli: Edizioni Scientifiche Italiane, 2000.” Italian Culture (2003).
Nicoletta Pireddu. “Anna Banti, La signorina e altri racconti; The Signorina and Other Stories, ed. and trans. by C. Lazzaro-Weis and M. King (MLA Texts and Translations, 2001.” Italian Culture (2003).
Emily C. Francomano. “Gender in Debate from the Early Middle Ages to the Renaissance. Ed. Thelma S. Fenster and Clare A. Lees. The New Middle Ages Series. New York: Palgrave, 2002.” Medieval Feminist Forum 33 (2003).
Emily C. Francomano. “Generic Instability and the ‘Sentimental Romances’.” La corónica 31.2 (2003): 274-77.
Emily C. Francomano. “‘Lady, you are quite a chatterbox’: The Legend of St. Katherine of Alexandria, Wives’ Words, and Women’s Wisdom in MS Escorial h-I-13.” St Katherine of Alexandria: Texts and Contexts in Medieval Europe. Ed. Jacqueline Jenkins and Katherine Lewis. Turnhout: Brepols, 2003: 131-152
Adam Lifshey. “Imagined Temporalities: The Temporalizing of Neocolonialism and Nation-narrations in Aminata Sow Fall’s Ex-père de la nation and Juan Balboa Boneke’s El reencuentro: el retorno del exiliado.” Lucero 14 (2003): 100-08.
Adam Lifshey. “Ideations of Collective Memory in Hispanophone Africa: The Case of María Nsue Angüe’s Ekomo.” Hispanic Journal 24.1-2 (2003): 173-85.
Andrew Sobanet. “Ideology and Fictional Construction: Victor Serge’s Les Hommes dans la prison.” Romance Quarterly (2003).
Andrew Sobanet. “Penology, Autobiography, and Fiction: The Prison Novel as Interdisciplinary Sub-Genre.” Prison Writings. Ed. Danine Farquharson. Oxford: The Interdisciplinary Press, 2003.
Susanna Lee. “Au Bonheur des Ogres and Au Bonheur des Dames: the Dismantling of Foundations in the Série Noire.” Dalhousie French Studies 63 (2003): 45-52.
Susanna Lee. “The Menace of the Post-Hardboiled Maverick: Jim Thompson’s Pop. 1280 and Modern Television Detective Drama.” Journal of Popular Culture 37.1 (2003): 43-55.
Dori Laub and Susanna Lee. “Thanatos and Massive Psychic Trauma: The Impact of the Death Instinct on Remembering and Forgetting.” Journal of the American Psychoanalytic Association 51.2 (2003): 433-464.
Susanna Lee. “Il ne faut jamais dire le hasard, mon enfant, dites toujours la Providence: Sense and Coincidence in Le Rouge et le Noir.” French Forum 28.2 (2003): 35-55.
Susanna Lee. “Dieu merci, toute cette psychologie est inutile: L’Ensorcelée’s Critique of Modern Thought.” Neophilologus 87.1 (2003): 29-41.
Susanna Lee. ““A Crazy Mushroom-Bed of Sham Kremlins and Pagodas: Flaubert at the 1900 Exposition”.” Memories for the 21st Century. Ed. Michèle Sarde and Jean-Max Guieu. Washington DC: Georgetown University Press, 2002.
Emily C. Francomano. “The Cambridge History of Arabic Literature; The Literature of Al-Andalus. Ed. María Rosa Menocal, Raymond P. Scheindlin, and Michael Sells. Cambridge: Cambridge University Press, 2000.” La corónica 31.1 (2002).
Ricardo L. Ortíz. “Hemispheric Vertigo: Cuba, Quebec, and ’Our’ New America(s).” The Futures of American Studies. Ed. Donald Pease and Robyn Wiegman. Durham and London: Duke UP, 2002: 327-340
Nicoletta Pireddu. Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle. Verona: Fiorini, 2002.
Nicoletta Pireddu. “Mary Ann Witt, The Search for Modern Tragedy. Aesthetic Fascism in France and Italy (Cornell UP, 2001).” Annali d’italianistica 20 (2002): 569-72.
Nicoletta Pireddu. “Gianni Vattimo.” Postmodernism. The Key Figures. Ed. Joseph Natoli and Hans Bertens. London and New York: Blackwell, 2002: 302-9
Nicoletta Pireddu. “Gabriele D’Annunzio: the art of squandering and the economy of sacrifice.” The Question of the Gift. Essays Across Disciplines. Ed. Mark Osteen. London and New York: Routledge, 2002: 172-190
Nicoletta Pireddu. “Comparative Literature as a Messenger of Diversity.” CLCWeb: Comparative Literature and Culture: A WWWeb Journal4.1 (2002).
Nicoletta Pireddu. “Towards a poet(h)ics of techne. Primo Levi and Daniele Del Giudice.” Annali d’italianistica 19 (2001): 189-214.
Nicoletta Pireddu. “The anthropological roots of Italian cultural studies.” Italian Cultural Studies (2001): 66-88.
Nicoletta Pireddu. “Paolo Mantegazza. Ritratto dell’antropologo come esteta.” Paolo Mantegazza: Medico, Antropologo, Viaggiatore. Ed. Cosimo Chiarelli and Walter Pasini. Florence: Firenze University Press, 2001: 129-45
Emily C. Francomano. “Vida de Segundo; Version castellana de la Vita Secundi de Vicente de Beauvais. Ed. Hugo O. Bizzarri. Exeter Hispanic Texts Volume LVI. Exeter: University of Exeter Press, 2000.” La corónica 30.1 (2001).
Emily C. Francomano. “¿Qué dizes de las mugeres?’: The Historia de la donzella Teodor as the Conclusion to Bocados de oro.” La corónica 30.1 (2001): 87-110.
Susanna Lee. “Flaubert’s blague supérieure: The Secular World of Madame Bovary.” Symposium 54.4 (2001): 203-217.
Nicoletta Pireddu. “Vernon Lee: aesthetic expenditure, noblesse oblige.” Athena’s Shuttle. Ed. Franco Marucci and Emma Sdegno. Milano: Cisalpino, Istituto Editoriale Universitario, 2000: 175-94
Ricardo Ortiz. “Revolution’s Other Histories: the Sexual, Cultural and Critical Legacies of Roberto Fernandez Retamar’s ’Caliban’.” Social Text17.1 (1999): 33-58.
Emily C. Francomano. “Escaping by a Hair: Silvina Ocampo Re-Members Porphyria’s Lover.” Letras Femeninas 25.1-2 (1999): 65-77.
Nicoletta Pireddu, ed. Oscar Wilde, The Importance of Being Earnest. Napoli: Loffredo Editore, 1999.
Ricardo L. Ortíz. “LA Women: Jim Morrison with John Rechy.” The Queer Sixties. Ed. Patricia Juliana Smith. New York and London: Routledge, 1999: 164-186
Nicoletta Pireddu. “Cristina Terrile, La crise de la volonté ou le romanesque en question: Borgese, Green, Perutz, Pirandello, Kafka (Paris: Honoré Champion, 1997).” Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée 26.2 (1999): 366-70.
Nicoletta Pireddu. “Sublime Supplements: Beckett and the Fizzling Out of Meaning.” The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport, Conn. and London: Greenwood Press, 1998: 391-401
Ricardo Ortiz. “Docile Bodies, Volatile Texts: Political Erotics in Cuban-Exile Prison Memoirs.” Annals of Scholarship 12.3/4 (1998): 91-111.
Emily C. Francomano. “The Fall and the Fruits of Reading the Libro de buen amor.” La corónica 26.2 (1998): 211-26.
Ricardo Ortiz. “Cafe, Culpa and Capital: Nostalgic Addictions of Cuban Exile.” Yale Journal of Criticism 10.1 (1997): 63-84.
Nicoletta Pireddu. “’Il divino pregio del dono’: Andrea Sperelli’s economy of pleasures.” Annali d’italianistica 15 (1997): 175-201.
Nicoletta Pireddu. “CaRterbury Tales: Romances of Disenchantment in Geoffrey Chaucer and Angela Carter.” The Comparatist 21 (1997): 117-148.
Nicoletta Pireddu. “Walter Pater. The forms of modernity. Le forme della modernità, ed. by F.Marucci and E. Bizzotto (Milano: Cisalpino, 1996).” Rivista di Studi Vittoriani II.2 (1997): 176-78.
Nicoletta Pireddu. “Denis Donoghue, Walter Pater. Lover of Strange Souls (New York: Knopf, 1995).” Rivista di studi vittoriani II.3 (1997): 135-39.
Nicoletta Pireddu. “’The terrible pleasure of a double life:’ Dorian Gray tra estetica ed etica.” L’ombra, il doppio, il riflesso. Ed. Giulia Poggi. Verona: Special issue of Quaderni di Lingue e Letterature, Universita’ di Verona, 1997: 2-27
Susanna Lee. “The Hand of God in Le Rouge et le Noir and Madame Bovary.” Romance Review 5 (1997).
Nicoletta Pireddu. “Beyond figuration, below the threshold. Some observations on postmodernism and the sublime.” Negations 1 (1996): 21-40.
Nicoletta Pireddu. ““Story(re)tellers: Geoffrey Chaucer and the Romances of the Fallen Angel(a)”.” Atti del Convegno “Angela Carter: Tradizioni, Innovazioni, Traduzioni. Ed. Serena Cenni and Alex Falzon. Siena: Università di Siena, 1996.
Nicoletta Pireddu. “’Bussola e cornucopia: la caccia al tesoro di Gadda e Beckett.” La linea longobarda. Ed. Luigi Ballerini. Saratoga, CA: ANMA Libri, 1996: 77-89
Nicoletta Pireddu. “The mark and the mask: psychosis in Artaud’s alphabet of cruelty.” Arachne. An international journal of language and literature 3.1 (1996): 43-65.
Adam Lifshey. “Esa beldad muerta’”: La judía arquetípica en la Raquel de Vicente García de la Huerta.” Aleph 11 (1996): 66-84.
Nicoletta Pireddu. “’Portable Ecstasies’: The Rhetoric of Opium in De Quincey’s Autobiography.” Etudes Anglaises 48.3 (1995): 268-76.
Nicoletta Pireddu. “Saints and aesthetes in J-K.Huysmans’s artificial paradises.” Orbis Litterarum 50.6 (1995): 321-44.
Nicoletta Pireddu. “’Je meurs, donc j’écris’: folie d’Igitur, folie de Mallarmé.” Narciso allo specchio: dal mito al complesso. Ed. Elio Mosele. Fasano: Schena, 1995: 83-102
Nicoletta Pireddu. “Elisabetta Rasy, Ritratti di signora. Tre storie di fine secolo, (Milano: Rizzoli, 1995).” Annali d’italianistica 13 (1995): 532-35.
Nicoletta Pireddu. “Michel Maffesoli, Au creux des apparences (Paris: Plon, 1990); Michel Onfray, La sculpture de soi (Paris: Grasset, 1993).”Quaderni di lingue e letterature 19 (1994): 294-97.
Nicoletta Pireddu. “Liberté, socialité, responsabilité” (Magazine Littéraire).” LaRivisteria/Librinovità 37 (1994): 46 .
Nicoletta Pireddu. “Scribi del caos: Carlo Emilio Gadda, Samuel Beckett.” Comparatistica 6 (1994): 105-20.
Ricardo Ortiz. “Fielding’s Orientalist Moment: Historical Fiction and Historical Knowledge in ’Tom Jones’.” Studies in English Literature 33.3 (1993): 609-628.
Nicoletta Pireddu. “The strength of weakness: Michel Foucault and Italian pensiero debole.” Prosthesis 1.1 (1992): 59-70.
Nicoletta Pireddu. “Between fantasque and fantasmagorique: a fantastic reading of Balzac’s La Peau de chagrin.” Paroles gelées 9 (1992): 33-47.
Nicoletta Pireddu. “Il rumore dell’incertezza: sistemi aperti e chiusi in White Noise di Don DeLillo.” Quaderni di lingue e letterature 17 (1992): 129-140.
Nicoletta Pireddu. “H.D.’s palimpsests/texts: scratching the parchment of male writing.” Rohwedder. International Journal of Literature & Art 7 (1992): 59-64.
Nicoletta Pireddu. “’Labirinto senza uscita? Uno sguardo americano alle nostre biblioteche’ (Libraries & Culture).” LaRivisteria/Librinovità 2 (1991): 38-39.
Nicoletta Pireddu. “Paternità letteraria, figli postmoderni: The Dead Father di Donald Barthelme.” Quaderni di lingue e letterature 15 (1990): 165-174.
Nicoletta Pireddu. “”America al femminile” (Genders; Discourse),.” LaRivisteria 23-24 (1989): 11-12.